The final solar print does not look like a typical digital print. It is, by virtue of its limitations, simpler and more abstract than perhaps most digital prints. I see this is an alternative to the exotic optical effects of full color digital imaging, a seeking for something more austere, perhaps a bit of understatement with reserves.
Collaborations went beyond the core exhibitions at SDAI's Museum of the Living Artist, bringing together traditional with digital art, a variety of art programs as well as a fugue of visual interpretations of the Institute's leaders.
I sometimes wonder what the reaction of the art world, the so called knowledgeable people, would be if they had no way of identifying a work as digitally produced as in my White Lotus 3.
A direct cellular automata animated convolution, using Life or Brian's Brain, of Van Gogh's Sunflower paintings adds a subtle, scintillating effect to the originals.
