 | My art-making is an integrated mode of inquiry that links concept and media in an ongoing dialogue - a visible means of exploring meaning.
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| I went out into the postmodern world of San Diego to pull together a sampling of artists. I asked them to think about the influences on their art – about the world of commercial and fine art they see on a daily basis as well as the mundane process of crossing over between client-driven and personal art.
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 | Recently, I have been called to task to explain my seemingly obsessive contention that digital art is a truly unique art . . .
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 | After more than a quarter of century of viewing the micro and nano worlds I am still fascinated by these highly organized and extremely beautiful structures. All this time I was thinking it’s a shame we can’t see them in colors. Not anymore. My twenty year old idea of capturing and adding color to these wonders became reality once digital technology improved. |
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 | The Multiple Universes show confronted the challenges surfacing in digital art and photographic media. Looking back, looking forward and sideways. New terms were entering the language of description of what the viewers see or think they see. |
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| Borrowing notions of chance, randomness and acceptance of “what happens” from John Cage, using “random” numbers and variables (just about the most powerful creative procedure the computer has to offer) I could set in motion, like a Sorcerer’s Apprentice, kinetic displays that were entertaining, sometimes beautiful, always surprising... |
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Posted by jnalven on Sunday, September 04 @ 08:25:18 CDT
For the past few weeks, my meditation practice has been stale. My emotional reserves have gotten lower and I have needed to bring myself back into balance. But there I am, unable to focus and stuck with a mind that is all over the map, indeed, off the map half the time. |
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